b. 1962 in Taiyuan, Shanxi Province, lives and works in New York.


Wang Mansheng is a self-taught ink painter who explores a wide range of techniques, tools and media in concert with literati brushwork to compose subject matter in dialogue with classical Chinese literature. Incorporating modern strategies into the introspective serenity of traditional Chinese art, Wang aims to capture the spirit of Chinese master painters, while revitalizing and transforming the essence of their work in his landscape painting, calligraphy, monotype and woodcut Buddha sculptures.  


Wang started practicing calligraphy and digging deep into Chinese classical literature on his own in his early years, growing up with five siblings in a coal mining town in Northern China. Following his graduation in 1985 from the Chinese Department of Fudan University in Shanghai, where he majored in classical Chinese, Wang worked for over a decade as an editor, director and producer at China Central Television in Beijing. His work took him throughout China, where he experienced museums, natural landscapes and cultural scenes.  Early on in his career, Dunhuang’s caves, wall paintings, and sculpture, as well as the endless desert, far-away hills and mountains greatly influenced his ideas on use of media, brush strokes, and tools. In 1996, he immigrated to the United States where he began his career as an artist, adeptly combining his Eastern education and philosophy with Western perspectives. 


Wang has managed to develop his unique approach by uniting his modern experiences with China’s collective cultural history. Taken from the indivisible interconnection of text and image inherent to Asian praxis, Wang’s art frequently employs symbolic Chinese themes, such as the Buddha, the waterfall, mountains, and silence.


Wang's works are drawn primarily from his imagination, informed by his deep love of nature, particularly mountains, a favorite destination for the sketches and photography that serve as a resource.  His feelings and mood lead him to his subject matter; he often begins with an abstract monotype image and then steps back to see where the 'veins' of the formations and flow of water reveal themselves. Through the layering of bold brushwork, ink washes and unconventional techniques that combine printing and painting, his works feel more three-dimensional than classical Chinese paintings.


Wang's accomplishments are substantiated by the recognition and support he has received from institutions and collectors. His works have been exhibited around the world and are in the permanent collection of museums, including the Godwin-Ternbach Museum, Brooklyn Museum, the Baltimore Museum of Art, Yale University Art Gallery and the Princeton Art Museum. In China, he has shown his work at the Beijing Art Museum, Today Art Museum in Beijing, Xuhui Art Museum in Shanghai and Shanxi Museum in Taiyuan. Wang has also lectured and given demonstrations on Chinese art and culture at universities and museums, including Columbia University, Rubin Museum of Art, The Metropolitan Museum of Art, New York University, The New School and Boston University.




1981-1985 Bachelor in Arts (Classical Chinese Literature), Shanghai 
  Fudan University, Shanghai, China


Solo Exhibition



Cloud Wanderings of Wang Mansheng, Hammond Museum and Japanese Stroll Garden, New York, USA


Moonlight on Stones, Fu Qiumeng Fine Art, New York, USA

2020 From Silk Road to Hudson River, Charles E. Shain Library, Connecticut College, USA
2019 From Silk Road to Hudson River, Hastings on Hudson, New York, USA
2016 Mansheng Wang: Mind Landscape, Rasti Chinese Art, Hong Kong, China
2014 Deep in the Mountains, Seeking Ancient Trees, Shanxi Museum, Taiyuan, China
2013 One Can Pick Lotus in Jiang Nan, Shanghai Xuhui Art Museum, Shanghai, China
2012 Brushing Aside Clouds, Seeking the Ancient Road, Rockefeller Brother Fund, New York, USA
  Against a Tree, Listening to the Flowing Spring, The Galleries at the Interchurch Center, New York, USA
2011 Wang Mansheng: Mind Like Water, Chappaqua Library Gallery, New York, USA
  Mansheng Wang: Art and Artlessness, Godwin-Ternbach Museum, Queens College, CUNY, New York, USA


Group Exhibition



The Magic of Zen, New York United Nations Header Headquarters, New York, USA

2021 Contemporary Ceramics and Ink Paintings, The Montmeat Maurel Gallery, Paris, France

Fine Art Asia, The Hong Kong Convention Center, Rasti Chinese Art, Hong Kong, China


On Gathering, 4th Street Gallery, Texas, USA


A Garden of Words: The Calligraphy of Liu Fang Yuan Part II, Huntington Library, Art Museum, and Botanical Garden, San Marino, USA

2020 A Garden of Words: The Calligraphy of Liu Fang Yuan Part I, The Huntington, San Marino, USA
2019 Arts of China: New Acquisitions of Contemporary Art, Brooklyn Museum, New York, USA 
  Fine Art Asia, Rasti Chinese Art, Hong Kong, China
  Summerfest, Kaikodo, New York, USA 
  Chinese Landscape Rethought, Lyman Allyn Art Museum, Connecticut, USA
  The Experience of Looking, Rasti Chinese Art, Hong Kong, China
  Same Window, Different Dream, Shanghai Qiuhaitang Art Center, Shanghai, China
  Art Week New York: Migration, New York, USA
2018 Fine Art Asia, Rasti Chinese Art, Hong Kong, China
  Purity of Mind, Fu Qiumeng Fine Art, New York, USA
2017 Soul Apart, Fu Qiumeng Fine Art, New York, USA 
  Beyond the Landscape, Fu Qiumeng Fine Art, New York, USA
2016 Gifts from the Tang Center, Princeton University Art Museum, New Jersey, USA
  Embracing Antiquity, Kaikodo, New York, USA
  Ink Asia, Rasti Chinese Art, Hong Kong, China
2015 Asian Art In London, Longdon, England
  Masterpiece London, London, England
2014 INSPIRED BY DUNHUANG: Re-creation in Contemporary 
  Chinese Art, China Institute, New York, USA
  Asian Week, Kaikodo, New York, NY, USA
  TEFAF, Netherland

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