Born in 1969 in New York, lives and works in Beijing.
Michael Cherney studied Chinese language and history at the State University of New York at Binghamton, followed by graduate language study at Beijing Language Institute. A self- taught photographer, Cherney’s formal studies, combined with his rigorous personal studies of China’s art historical past, have resulted in his abiding appreciation and even reverence for China’s rich history and painting tradition, particularly landscape painting. His relationship with China has been deepened by his residence in Beijing for well over three decades along with his extensive travel throughout China, seeking out the specific sites that have historical relevance to his work. He has described his art as a way “to look upon a place imbued with a vast (sometimes daunting) accumulation of history and cultural memory, and then to capture one instant, fleeting, tangible moment of it with a photograph.”
Cherney’s photography is an art of boundaries; of masking and enlarging the image. It is an art that challenges the viewing audience to imagine what hovers just beyond the immediately visible. His final presentation is a modern elaboration of traditional formatting: books or albums, hanging scrolls, handscrolls, large-scale screens, round and folding fan shapes. By this presentation, modern photography becomes a natural extension of premodern media, and Cherney’s art becomes a meditation on the long history of Chinese visual art.
Cherney’s works were the first photographic works collected by the Metropolitan Museum of Art’s Department of Asian Art and are in the permanent collections of many other museums as well, including the Berkeley Art Museum / Pacific Film Archive, Cleveland Museum of Art, Getty Research Institute, Harvard University Art Museum, Los Angeles County Museum of Art, Middlebury College Museum of Art, Nelson Atkins Museum of Art, Peabody Essex Museum, Portland Art Museum, Princeton University Art Museum, Saint Louis Art Museum, Santa Barbara Museum of Art, Yale University Art Gallery, among others.
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Watercourse Dry澗乾, leaf #15, Conception and Design: Summer 2019 – Autumn 2019
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Shadow Curtains影幔 #9b, Conception and Design: Spring 2018 – Autumn 2018
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Isolated Shadows 蕭條影 #3, Conception and Design: Spring 2009 – Autumn 2009
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Saltscape鹽圖 #2, Conception and Design: Autumn 2016
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Map of Mountains and Seas 山海圖 #18, Conception and Design: Winter 2017
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Fan Motif 扇面形式 #21R, Conception and Design: Summer 2015
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Fan Motif 扇面形式 #2, Conception and Design: Spring 2011
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Fan Motif 扇面形式 #16, Conception and Design: Autumn 2012 – Winter 2013
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Fan Motif 扇面形式 #1c, Conception and Design: Autumn 2010
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Fan Motif 扇面形式 #4, Conception and Design: Autumn 2010
Education
1991-1993 | Beijing Language Institute, Beijing, China Chinese Language |
1987-1991 | State University of New York at Binghamton, Binghamton, |
NY BA, East Asian History |
Selected Exhibitions
2021 |
Calling in the Shade: Cranes in East Asian Cultures, Xinyang Port Art Center, Yancheng, China |
2020 |
The First Jinan International Biennale, Shandong Art Museum, Jinan, China |
As Time Goes By: New Stories from the Garden, Canglang Pavilion, Suzhou, China |
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Flowing Waters Never Go Back to the Source: Photographers looking at the river in China, Jumi ges Abbey, Normandy, France | |
Spotlight on a New Generation: Contemporary Chinese Artists, Cleveland Museum of Art, USA | |
2019 | IN INK: Current Trends of Ink Art, NanHai Gallery, Millbrae, CA, USA |
2017 - 2019 | Streams and Mountains without End: Landscape |
Traditions of China, Metropolitan Museum of Art, New York, USA | |
2018 | The Heart-Mind Learns From the Eyes - The Art of |
Michael Cherney, Three Shadows Art Center; +3 Gallery, Beijing, China | |
From 2 Arises 3: The Collaborative Works of Arnold Chang and Michael Cherney, Hong Kong University Museum and Art Gallery, Hong kong, China | |
All Under Heaven: Landscapes of China by Arnold Chang and Michael Cherney, University of California at Santa Barbara, Santa Barbara, CA, USA |
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Artists and Their Books / Books and Their Artists, Getty Research Institute, Los Angeles, CA, USA | |
Ink Worlds: Contemporary Chinese Painting from the Collection of Akiko Yamazaki and Jerry Yang, Cantor Arts Center, Stanford University, Stanford, CA USA |
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Beyond Ink, China Art Museum, Shanghai, China |
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From The Canglang Pavilion, Suzhou Jinjihu Art Gallery, Suzhou, China |
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Luminous Shadows, Ink Studio, Beijing, China | |
2017 | Pursuits in Ink: The Inaugural Wuhan Ink Biennale, The Inaugural Wuhan Ink Biennale, Wuhan, China |
Luminous Shadows, Ink Studio, Beijing, China |
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News | Eight FQM Artists showcase their works at the United Nations
IN CELEBRATION OF CHINESE LANGUAGE DAY 2023 April 21, 2023In celebration of the 2023 United Nations Chinese Language Day, the Permanent Mission of the People’s Republic of China to the UN, the Chinese Translation...Read more -
News | The Calligraphic works of Michael Cherney and Wang Mansheng are exhibiting at the Huntington Library
The Huntington April 27, 2022Celebrating the recent opening of the final phase of its Chinese Garden, The Huntington presents an exhibition of contemporary Chinese calligraphy as the inaugural installation...Read more -
News | Michael Cherney and Fung Ming-Chip are featured in Ink Dream at LACMA
November 19, 2021Artists Michael Cherney and Fung Ming-Chip are featured in Susanna Ferrell’s article The Spirit of Ink: Meditations, Apparitions, Dreamscapes on the Ink Dreams exhibition publication...Read more -
Press | An American Photographer’s Presence in Chinese Contemporary Ink Art
Artnet July 26, 2021From the early 1970s till 2000, the Metropolitan Museum of Art gradually built the largest Asian art collection under the lead of the scholar Wen...Read more -
Press | Artnet News Editor’s picks | “但聞人語響:Yet, Only Voice Echoed” has been selected as the Top Ten art events this week
July 15, 2021Our current exhibition “但聞人語響:Yet, Only Voice Echoed” has been selected by artnet news: Top Ten Editor’s Picks this week. “但聞人語響:Yet, Only Voice Echoed” at Fu...Read more -
Madame Figaro Column|The Recluse Culture: Chinese Classical Landscape Paintings’ Spirituality and its Developments in Time
February 18, 2021Madame Figaro invited Fu Qiumeng to write a column about classical Chinese culture. In her article, Fu talks about how artists of the ancient and...Read more -
News | Michael Cherney’s Ten Thousand Li of the Yangzi River on view at the First Jinan International Biennial
December 16, 2020Eight handscrolls from Michael Cherney ’s Ten Thousand Li of the Yangzi River series are on view at the Shandong Art Museum as part of...Read more -
News | Auction Result | White Ground Project at Christie’s is 100% Sold.
October 6, 2020Fu Qiumeng Fine Art is pleased to announce that the special project White Ground , co-organized by gallery director Fu Qiumeng and Christie’s during Christie’s...Read more -
News | Arnold Chang and Michael Cherney - Yellow Mountains (Huangshan)
Guo Xinran May 12, 2019从2009年开始,画家张洪(Arnold Chang, b. 1954)和摄影师秋麦( Michael Cherney, b.1969)共同创作了一系列作品。《黄山册页》是这一系列的其中之一,完成于2012年(图一)。作品是一本折叠册,由十二组图片做成。每组左边是秋麦的照片,右边是张洪的纸上水墨(图二)。照片来自秋麦在黄山拍摄的一张照片的细节部分(图三)。秋麦截取了照片中的一条,将其分成连续的十四等分,选取其中十二张,印刷在张洪绘画所用的宣纸上寄给他,张洪继而通过水墨画的形式对秋麦的照片做出回应,最后,秋麦完成册页的装裱。 《黄山册页》由纽约大都会博物馆收藏,现正作为展览“溪山无尽——中国山水画传统”的一部分在该馆展出。在展览上,册页被拉开展示,二十四张图片形成连续的整体。秋麦的摄影以灰色调为主,而张洪的画面有大面积的留白。站在一定距离外看,图片之间色调的不同让作品具有独特的视觉冲击力(见图一(组))。 这种独特的视觉冲击力也建立在图片之间的共鸣上。近距离观看的话,可以看到每组摄影与水墨画之间构图上的呼应。在作品的有些部分,可以明确看到两张图片中类似的山川、岩石形态(图四)。而在其它部分 ,两件图片仿佛将山水画中的细节无限放大,构图中只能辨认出笔触或色调的变化(图五)。另外,秋麦将照片打印在宣纸上。宣纸的吸水性让画面更加柔和,更接近张洪的纸上水墨的质感。张洪和秋麦在个人的实践中都长期保持对传统艺术语言和审美观念的回溯。张洪的笔法和构图主要取自元代以降的文人绘画,秋麦的摄影也受到中国传统绘画的影响。两位艺术家的合作基于他们对中国传统绘画相近的理解方式。艺术史学者安雅兰和沈揆一在一篇文章中将秋麦和张洪的合作作品看作一种文人间的对话。他们合作作品中摄影和绘画的并置延续了传统绘画作品上题字与绘画之间的共鸣。 和而不同可以很好地概括《黄山册页》的独特视觉冲击力。两种媒介之间既存在联系,又保持着微妙的距离。在秋麦和张洪合作的其它作品中,作品之间的过渡多以其它方式出现。有些作品中图片交界处采用模糊处理,过渡看起来更加柔和;在另外一些作品中,秋麦的照片会以三角形或扇形出现在构图中;在大部分的合作作品中,秋麦的照片是张洪水墨画中的一个格子。如《仿王己千》(2016)中,照片位于构图的正中,张洪的绘画与摄影中岩石的起伏构成有机的整体,如同笔触从照片延伸到了水墨画面上(图六)。与其它的合作作品不同,《黄山册页》中绘画与摄影是不连续的,图片之间并无明显的视觉线索作为连接,两张并置的图片以相似但独立的构图出现。 这种并置带来的视觉观感相当吸引人。在2014年出版的一份展览图册中,一位学者曾经写到:“我们看到两种肌理既连续展开又相互形成对比。这是一种奇特(uncanny)的感觉。”在同一份图录中,也有学者提到,观看秋麦和张洪的合作作品时,观者的视线经常在两种媒介的交界处反复停留。在有关《黄山册页》的访谈中,艺术家和访谈者也曾提到过,这种格子的构图方式让作品看起来更加当代。 《黄山册页》中图片的边缘和图片的排列方式看似不重要的细节,不过也是这些细节指向作品与传统文人对话在形式和媒介上的不同。关注这些细节也许可以帮我们进一步理解两位艺术家的合作,以及在当代回溯传统的意义。 需要说明的是,现当代艺术的视觉语言并非张洪和秋麦首要考虑的因素。 张洪的创作并不基于照片,而来自秋麦的摄影让他联想到的中国传统绘画作品。秋麦在拍摄和选择合作作品中的照片时也受到中国绘画的影响。在与大都会博物馆策展人史耀华(Joseph Scheier-Dolberg)的一次访谈中,张洪提到, “我们并不特意去创新,我们想做的是我们觉得对的、实在的、可以用得上我们各自的技巧和共同的美感的东西。” 在同一个访谈中,秋麦说:“我们的合作对水墨传统是尊重的……不需要是革新了什么东西,只是为后来的人再往前走一小步。” 同样,张洪和秋麦都不认为构图中的格子是自己创作的先决条件。张洪曾提到,合作作品中的直角和直线的边缘没有直接影响到他的创作;对秋麦来说,图片的选择主要基于他对作品画面的设想,而不是几何的构图。 《黄山册页》中的格子深深嵌入到两位艺术家对中国古代传统的思考中。张洪的艺术实践与元代绘画渊源颇深,也受到明清绘画的影响。他更注重对想像中山水形态的描摹,对自然潜在规律的把握,而非直接的再现。张洪的实践植根于中国传统绘画一个重要的转变阶段。艺术史学者方闻在文章 “为什么中国绘画是历史” 中认为,元代以降,对现实的再现手法已经在绘画中成熟到一定阶段,文人画家们主要将画面设想为二维的平面。方闻将这个转变与美国艺术评论家Leo Steinberg关于当代美国绘画的转变做一类比。Steinberg认为,五六十年代的美国当代绘画经历了一个转折,艺术家不再将画面看作自然的再现方式,而更多地将画布看作承载工作过程的物质实体。通过这个类比,方闻从当代艺术史的角度去反观中国古代。其用意并非脱离历史语境地用现代去解释古代。方闻的文章所主张的是:在对中国绘画内在逻辑有充分了解的基础上,可以在不同的历史脉络之间建立桥梁,以与以往不同的角度去发掘传统艺术的视觉语言与创造性。虽然人们倾向于将张洪的水墨画归入传统绘画的类别,这并不意味着我们不能以当代的角度去看待张洪对传统的回溯。 《黄山册页》中,张洪的绘画出现在一个与传统册页不尽相同的构图中,这提供了一个在当代语境中反观传统的契机。秋麦摄影中的山水和张洪笔下的理想山水在观众的视线中交替变幻。不同媒介图像的并置让画面具有一种抽象和具象之间的张力。在画面的不同部分,这种张力呈现出不同的状态。有些地方可以明确分辨出近景和远景,摄影和绘画仿佛同一构图的两种视觉表现方式;而有些构图更为抽象,点、线、笔触等要素在摄影和绘画中被放大。在靠近左边的八组图像中,大部分地貌和刻画对象可以辨认。而在靠近右边的四组图中,岩石、草木的形态被简化为黑白、明暗间的微妙对比。观众仿佛站在望远镜的一端,所看事物的比例持续地变大或缩小,这让《黄山册页》与传统册页的产生了一定距离,促使观者对作品的视觉语言更为敏感。 近距离观看《黄山册页》时,很难说摄影是否比水墨更具象,水墨是否比摄影更主观。秋麦长期使用胶片,他的很多作品中可以看到细小的灰色颗粒,如同黑白屏幕上闪动的像素。秋麦使用广角镜头和高速胶卷,另外,他往往截取照片上的一部分作为作品。在放大胶片的过程中,这些因素都会让图片出现颗粒感。另外,秋麦在装裱中采用完全传统的方式呈现作品。虽然摄影通常被看作直接捕捉现实的方式,秋麦的照片往往让人联想到水墨画或拓片。当然,摄影的质感与传统媒介不尽相同。秋麦作品表面的颗粒常常让人产生一种紧张感,仿佛眼前的景象是暂时的、转瞬即逝的。在2010年发表的一篇自述中,秋麦写到,他的摄影包含有复杂的情感,由于环境和社会变迁,他拍摄的地点往往与其在艺术作品中的面貌大相径庭。秋麦的照片拍摄到了风景,也捕捉到了作为理想意义上的风景解体、消失的痕迹。如果说张洪笔下的山水超越了物像而成为心像,秋麦的摄影也可以看作心像的一种。...Read more -
News | Arnold Chang and Michael Cherney - All Under Heaven: Landscapes of China
September 29, 2018Shared appreciation of China’s classical tradition of art and culture proves to be a powerful unifying force in the art of ink-painter Arnold Chang and...Read more -
News | Ink Worlds: Contemporary Chinese Painting from the Collection of Akiko Yamazaki and Jerry Yang
June 20, 2018Stanford, CA– The first exhibition at the Cantor Arts Center devoted solely to contemporary Chinese ink painting features more than 40 works of art by...Read more -
News | Michael Cherney - From the Canglang Pavilion
May 19, 2018Academic Adviser: Fan Di’an Exhibition Director: Zhu Qiang Curator: Wu Hongliang Psychological Consultant: Liu Zhengkui Space Artist: Jiří Příhoda Curatorial Assistant: Qian Ruofei, Liu Jing...Read more -
News | Arnold Chang and Michael Cherney - Two Arises Three: The Collaborative Works of Arnold Chang and Michael Cherney
February 3, 2018The University Museum and Art Gallery (UMAG) of the University of Hong Kong (HKU) will present From Two Arises Three: The Collaborative Works of Arnold...Read more -
News | Arnold Chang and Michael Cherney - Steams and Mountains Without End: Landscape traditions of China
September 11, 2017From the standpoint of splendid scenery, painting cannot equal [real] landscape. But when it comes to the wonders of brush and ink, [real] landscape is...Read more -
News | Micheal Cherney - Berkeley Eye: Perspectives on the Collection
August 21, 2016The University of California, Berkeley began collecting art shortly after its founding in 1868. Bacon Hall Library and Art Museum opened on campus in 1881...Read more -
News | Micheal Cherney - Conversations: Past and Present in Asia and America At Allen Memorial Art Museum
August 21, 2016In the arts, the past is often present in many forms. It can appear as a resilient stylistic tradition, or a subject revisited over long...Read more -
News | Micheal Cherney at Redtory Museum Of Contemporary Art
August 21, 2016Michael Cherney participated in the large-scale international art exhibition “Being and Inking: Documenting Contemporary InkArt (2001-2016)”. It is organized by Redtory Museum of Contemporary Art,...Read more -
News | Arnold Chang and Michael Cherney - At Kalamazoo Institute Of Art
July 23, 2016This exhibition features 20 works, both solo and collaborative, by two artists working in complementary mediums to explore the landscape of China through painting and...Read more
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QM Talks | Understanding the perpetuation of the Chinese literati tradition in the present day
Summer 2023 24 Jun - 30 Sep 2023This summer we cordially invite you to join our “QM Talks · Understanding the perpetuation of the Chinese literati tradition in the present day ”...Read more -
Ink Affinities Artist Conversation:
A Conversation between Arnold Chang, Michael Cherney, and Dr. Wen-shing Chou, Moderated by Fu Qiumeng 28 Apr 2022Ink Affinities: A Conversation between Arnold Chang, Michael Cherney, and Dr. Wen-shing Chou, Moderated by Fu Qiumeng THURSDAY, APRIL 28, 2022 8:00 P.M....Read more -
QM Talks | Summer 2018 | Michael Cherney
Those waters giving way: The art of Michael Cherney 11 Sep 2018Michael Cherney studied Chinese language and history at the State University of New York at Binghamton, followed by graduate language study at Beijing Language Institute....Read more
Send me more information on Michael Cherney
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Virtual Tour | Transcultural Dialogues: The Journey of East Asian Art to the West
By Jeffrey Wechsler October 8, 2024Jeffrey Wechsler is our guest curator of the current exhibition at FQM, Transcultural Dialogues: The Journey of East Asian Art to the West . Specializing...Read more -
Ink Affinities: A Conversation between Arnold Chang, Michael Cherney, and Dr. Wen-shing Chou, Moderated by Fu Qiumeng
June 2, 2022Coinciding with the present exhibition “I nk Affinities 墨缘: The Collaborative Works of Arnold Chang and Michael Cherney ,' FQM welcomes the painter Arnold Chang,...Read more -
Catch a glimpse of life — Michael Cherney
August 10, 2020“My photographic travels in China are a means of immersing myself in art history; the heart-mind learns from the eyes.” In the past two months,...Read more -
A profile of Michael Cherney
August 13, 2019“My photography is for a specific purpose. It is for recording a long-scale view of history.” Fu Qiumeng Fine Art and the University Museum and...Read more