Yau Wing Fung's recent series "Into" blends two traditional Chinese landscape art styles to explore spatial dynamics. Starting with intricate and small scenes within grids, Yau expands them into broader contexts, crafting ambiguous spatial relationships through fine line drawing. This approach guides viewers through a journey of contrasting textures and depths, from the solidity of mountains to the fluidity of streams, enriched by the interplay of traditional and modern techniques.

 Emphasizing linearity and composition, Yau achieves tranquility and harmony by capturing mountain silhouettes with precision, drawing inspiration from the woodblock prints "Scenic Views of Lakes and Mountains 湖山胜概," published by the Hangzhou literati Chen Changxi 陈昌锡 during the Ming Dynasty. This fusion of Baimiao (fine line drawing) with blue-green techniques creates a layered and rich landscape, where the use of azurite, malachite, and ink washes not only defines but also deepens the texture and vibrancy of the natural world, sparking the imagination.

「Into」系列是邱荣丰近几年来的新尝试，结合了青绿山水和白描技法，探索了空间的过渡与延伸。在创作时，邱荣丰首先构想画中的小景，然后将其延伸到外部的白描空间，创造出一种模糊的指向性。观者的视线随着邱荣丰在白描和青绿技法之间的转换，在山水之间的虚实变化中跳跃，流动于丘壑林泉的层次和空间之中。

在此系列中，邱荣丰更加注重线条的运用和构图的重要性。山峦的轮廓线条被以精确细腻的方式勾勒出来，使观者能够通过省略色彩的纯粹线条感受到一种超越现实的宁静与和谐。白描部分的灵感来自于明代文人陈昌锡编辑的版画经典作品《湖山胜概》，「Into」系列从白描的线条勾勒技法中获得启发，将其融入现代的艺术语境中，构建出丰富的山水空间和深邃的传统意境。而青绿山水，通过石青、石绿、水墨淡彩晕染山石的轮廓和质感，远山含翠，层峦叠嶂，给人以无限的遐想。