As seasons change, clouds roll and unfold, and water flows endlessly, the concept of ”千迴“ merges with natural landscapes, where cycles of change reflect the repetition and accumulation in the viewer’s inner world and life experiences. Under Yau Wing Fung‘s brush, landscapes no longer establish clear divisions or oppositions but instead reveal the fluidity between the individual and the whole. The ink is layered naturally on the paper through the push and pull of the brush, creating an effect of light breathing, as if marking the passage of time, the surge of emotions, and the endless cycle of thoughts. Each drop of ink symbolizes a moment in time, and as these moments blur and merge with the spreading ink, they form a profound and complex, continuous whole.

季节更迭，云卷云舒，水流之不息，「千迴」的意境与自然景观相结合，其中的循环变化映射观者内心世界和生命经历的重复与累积。邱荣丰笔下的山水不再设立明确的分割与对立，而是展现个体与整体之间的流通性。 笔墨推复之间于纸上自然生长，流动的墨色层层叠加，形成一种轻盈呼吸的效果，仿佛时间流逝、情感的涌动和思想的迴旋不息。每一滴墨水的落下，都象征着一次时间的节点，而这些节点随着墨色的扩散和交融，逐渐模糊，最终形成一个深邃而复杂、连续的整体。