C.C. Wang: Lines of Abstraction recenters Wang’s extraordinary career in his own artistic practice to reveal an original quest for tradition and innovation in the global twentieth century. Spanning seven decades, the catalog focuses on the artist’s distinctive synthesis of Chinese ink painting and American postwar abstraction. The publication is the first retrospective monograph on Wang’s artistic experimentations.
About the authors:
Wen-shing Chou is associate professor of Chinese art history at Hunter College and the Graduate Center, City University of New York. She is the author of Mount Wutai: Visions of a Sacred Buddhist Mountain.
Daniel M. Greenberg is assistant professor of Chinese art history at the University of Minnesota, Twin Cities. Greenberg specializes in the artistic and cultural exchange in early modern China and its relationship to Europe and neighboring countries such as Tibet, Mongolia, and Japan.
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