In this winter scene, Chang displays a meticulous blend of ink detail and subtle color application. Echoing the compositional elements of Summer Mountains, a celebrated handscroll attributed to Qu Ding (ca. 1050), the scene is anchored by a cluster of massive boulders that recede into the distance along the right. The snowy whiteness is set off by expanses of water rendered in a light blue wash and the blackish-green silhouettes of pine trees. The artist’s detailed application of ink washes and color endows the landscape with a tangible presence, deftly countering the dominant whiteness.

在这件冬景中，张洪展现了笔墨细节和精妙的色彩应用的细致融合。与被认为出自屈鼎之手的《夏山图》中的构图元素相呼应；此卷以成群的巨石为基础，沿着流水向右退去。以淡蓝色渲染的水域和墨绿色的松林剪影中和雪后的洁白。