Fung is a prolific poet who uses shufa as a medium for literary self-expression. This work records a moment of poetic introspection during a transpacific flight. To embody the meaning of the poem, the artist uses two distinctive scripts. In the first, his meditations on structure and substance appear in needle script, which breaks down characters into thin lines and expands their internal structure to push the boundaries of legibility. In the second, he incorporates elements of musical notation into characters to transcribe the rhythm of time. Fung switches from needle script to musical script as he moves from “Cheating physical structure/” to the next line, “confusing time and space by focusing on distance” 欺騙生理結構 迷惑時空焦點距離.

冯明秋同时是一位作品丰富的诗人，他以书法作为自我表达的文学媒介。这件作品记录了一次跨洋飞行中诗意自省的时刻。为了体现这首诗的含义，艺术家使用了两个独特的“字体”。从右至左阅读，在第一部分中，他对结构和内容的沉思出现在“针直叠字”中，它将文字笔划分解成细线，并扩展其内部结构，以突破可读性的边界。在作品的第二部分中，他将音乐符号的元素融入到文字中，以转译时间的节奏。字体在这句“欺騙生理結構” 到 “ 迷惑時空焦點距離” 中完成了从“针直叠字”过渡到“音乐字”的转变。

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Inscription

偶過

堅強或軟弱意志

趁著引擎嗡嗡

恆定地越過子午線

控量控質控時的能量

欺騙生理結構

迷惑時空焦點距離

顛倒晨星晚月

凝結意識形態

信念的存在

越出形體極限

三萬六千尺高空

俯視紅塵甘苦

追逐不可知將來

放眼宇宙

收縮浮世永恆

思索前程

為何沒有黑夜

Accidentally Passing

Strong or weak spirit

Follow the whirling engine

Steadily crossing the equator

Quantity quality and pattern are overpowered

Fooling the physical structure

Confusing time and focusing distance

Inverting moon and star

Freezing ideology

Existing will

Exceeding body’s limit

Thirty-six thousand feet up

Looking down at living earth

Searching for unknown future

Looking over to sky

Shrinking eternity

Thinking ahead

Why is there no darkness