This ink landscape by Chang employs spontaneous, free, and flowing lines, centering on a prominent mountain peak reminiscent of the Yuan literati painter Huang Gongwang’s (1269-1354) legendary landscape painting Dwelling in the Fuchun Mountains. Chang’s use of exceptionally loose brushwork and subtle gradation of ink in forming the boulders introduces a level of abstraction to the scene. As a contemporary artist, he continues the tradition of Chinese literati art, engaging in a dialogue with old masters while maintaining his unique signature mode of ink painting. This work reflects both Chang’s reverence for Chinese literati art as an art historical art and a contemporary, individualistic approach to innovate within.

張洪的这幅水墨山水画运用了自然、流畅的线条，围绕着一个显著的山峰展开，让人联想到元代文人画家黄公望（1269-1354）的《富春山居图》。張洪在描绘巨石时使用了极为松散的笔触和微妙的墨色渐变，为画面增添了一定程度的抽象性。作为当代艺术家，他延续了中国文人艺术的传统，与古代大师进行对话，同时保持自己独特的风格。这幅作品既体现了他对中国文人绘画作为艺术史的艺术的敬仰，也展示了他在这一传统中的当代创新。