This freely imagined vision of garden rocks demonstrates the looseness and exuberance of Chang’s color and line. He first transcribed in pencil a paragraph of Hua yü lu (Enlightening Remarks on Painting) by the greatest seventeenth-century individualist painter Shitao (1642-1707) and erased all but only faint outlines of the text. Over these ghostly traces, he painted the rocks and the stalactite grotto with fluttering ink lines and washed them in delicate shades of pale purple and blue, evoking and transforming the Jade Field by the mid-Ming painter Lu Zhi (1496-1576) into a geological wonder.

这件让想象力自由驰骋的山石展现了张洪作品中色彩和线条的松弛与奔放。他首先用铅笔抄录了十七世纪最伟大的个人主义画家石涛（1642-1707 ）的《画语录》中的一段文字，然后将其全部擦除，只留下模糊的轮廓。将这些擦痕视为山石的脉络线索，他用飘逸的墨线描绘岩石和钟乳石窟，并用淡紫淡蓝的细腻色调加以晕染，如同将明中期画家陆治（1496-1576 ）的《玉田图》转化为全新的地质奇观。