This ethereal landscape emerges from the artist’s ongoing exploration of the interplay of color washes and ink lines. The diagonally ranged rock forms are arranged across the hanging scroll into a powerful twist, reminiscent of the “dragon vein” (longmai) as described by Wang Yuanqi (1642-1715). Layered color washes in transparent blue and purple are countered by wet ink dots, nuanced texture, and elegantly fluttering ink lines that make up the mountain outlines, creating a new sense of freedom that departs from Chang’s earlier, more realistic landscapes.

这幅空灵的山水作品源自艺术家对水墨线条与色彩相互作用的不断探索。呈对角线排列的山石在整幅画作上形成一个强有力的转折，让人联想到王原祁（1642-1715 ）所描述的 "龙脉"。层层迭迭但又通透的蓝色紫色淡染与湿笔的苔点、细微的纹理和构成山体轮廓优雅飘逸的墨色线条一起交相辉映，创造出一种新的自由感，有别于张洪早期较为写实的山水画。