These two stunning works, presenting two different yet equally captivating vibes, showcase Chang’s personal, transformative representation of local topography. A reimagined landscape, they were created in response to one cropped photo of summer at the Rocky Mountains of Colorado taken by the exhibition curator. Compositionally reminiscent of Dong Qichang’s Landscape after Wang Meng in the collection of The Nelson-Atkins Museum of Art, one presents Chang’s mastery in traditional Chinese brushwork and the other shows his spontaneous application of transparent color washes, evoking a sense of fluidity and natural beauty that recalls and transcends the serene landscape of Colorado.

这两幅风格迥异，却同样迷人的作品，体现了張洪对当地地貌的个人化和变革性诠释。作品的灵感源自于一张策展人拍摄的夏季科罗拉多落基山脉照片，艺术家截取部分画面而重新构想了风景画。构图上，它们让人联想到纳尔逊-阿特金斯艺术博物馆收藏的董其昌的《仿王蒙山水》册页。其中一幅展现了張洪对传统中国画笔墨技法的精湛掌握，另一幅则通过他对淡彩晕染技法的灵活运用，传达出一种类似甚至超越科罗拉多自然景色的流动感和自然的美感。