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C. C. Wang, (Hearing the) Zither Played in Tune in cursive script

C. C. Wang

(Hearing the) Zither Played in Tune in cursive script
Flat bristle brush with black ink on paper, framed
24 x 36 in
61 x 91.4 cm
垂询
%3Cdiv%20class%3D%22artist%22%3EC.%20C.%20Wang%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E%20%28Hearing%20the%29%20Zither%20Played%20in%20Tune%20in%20cursive%20script%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EFlat%20bristle%20brush%20with%20black%20ink%20on%20paper%2C%20framed%3Cbr/%3E%0A%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E24%20x%2036%20in%3Cbr/%3E%0A61%20x%2091.4%20cm%3C/div%3E
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Description:


Ling'r-o-ling'ring, the seven-string zither chimes;

Silent, I hear the bleak notes of Windswept Pines.

This tune of old, although myself I love, yet

Folks of the day, now rarely play these lines.


(Hearing the) Zither Played in Tune by Liu Changqing (714-790)



Footnote: Liu Changqing (Chinese: 劉長卿, 709–785), courtesy name Wenfang (文房) was a Chinese poet and politician during the Tang dynasty. Eleven of his poems were collected in the popular anthology Three Hundred Tang Poems. Liu's poems did not receive much praise during his lifetime although he was one of the representative poets during the reign of Emperor Dezong of Tang. However, he was gradually acknowledged by later generations. Liu was especially skillful on the writing of poems with 5 characters.


继续
王己千(1907-2003)草書《聽彈琴》水墨 扁筆刷 紙本釋文:泠泠七弦上,靜聽松風寒。古調雖自愛,今人多不彈。款識:劉長卿詩愚公戲筆。鈐印:季遷拜贈、溪岸草堂
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2022 Jan 18th - Mar 5th New York Rhythms: C. C. Wang's Calligraphy, Fu Qiumeng Fine Art, New York, NY.
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