Although this cursive calligraphy adheres strictly to the traditional structures of character form, it introduces a contemporary breakthrough in its overall composition and tonal layering of ink. The two characters feicui (翡翠, “jadeite”) both contain the “feather” radical, which Wang Fangyu creatively unites into the image of four concentric circles. This gesture not only extends the flowing rhythm inherent in cursive script but also, through a geometric reconfiguration, infuses tradition with a minimalist abstract expression. The gradations of ink here serve a narrative function beyond technique: from the dense weight of dark ink to the ethereal lightness of pale washes, the transitions in tone build a sense of spatial depth that transcends the flat surface.

尽管这幅草书作品在字形结构上严格遵循传统法度的规范，却在整体构图与墨色层次的安排中展现出当代的审美突破。作品中“翡翠”二字皆包含“羽”部，王方宇将这一笔形元素予以创造性联结，最终凝练为四重同心圆的意象结构。此举不仅延续了草书笔意中的流转气韵，更通过几何化的视觉重构，为传统注入了极简抽象的视觉表达。墨色层次在此亦承担起超越技法层面的叙事功能：从焦墨的沉厚至淡墨的空灵，墨阶的渐变在字形上构建出了突破平面空间的纵深感。