Wang Mansheng Chinese American, 1962
Calling the Recluse 招隱詩, 2009
Ink, Walnut Ink, Tempera, Acrylic on Paper 纸上水墨、黑核桃墨、蛋清颜料、丙烯
30 x 22 in
76.2 x 55.9 cm
76.2 x 55.9 cm
巖穴無結構，丘中有鳴琴。非必絲與竹，山水有清音。左思《招隱詩》
Stony grotto without structure; In the hills, sound of the qin; No need for silk strings and bamboo [instruments]; Mountains and water have a clear sound.bZuo Si (250—305) Calling the Recluse
Stony grotto without structure; In the hills, sound of the qin; No need for silk strings and bamboo [instruments]; Mountains and water have a clear sound.bZuo Si (250—305) Calling the Recluse
巖穴無結構，丘中有鳴琴。非必絲與竹，山水有清音。左思《招隱詩》
Stony grotto without structure;
In the hills, sound of the qin;
No need for silk strings and bamboo [instruments];
Mountains and water have a clear sound.bZuo Si (250—305)
Calling the Recluse
Stony grotto without structure;
In the hills, sound of the qin;
No need for silk strings and bamboo [instruments];
Mountains and water have a clear sound.bZuo Si (250—305)
Calling the Recluse
展览
2022 May 20th - July 23rd “Moonlight on Stones,” Fu Qiumeng Fine Art, New York, NY
