Posted in DocumentaryMichael Cherney

Calligraphy Lab Report

Fung Ming-chip: Calligraphy Lab Report 冯明秋:书法实验报告 , 2019, 38 min

Director of Photography: Q Lin, Zon Zhang
Editor: Q Lin

Fung Ming-chip:Calligraphy Lab Report 冯明秋:书法实验报告 

“Line is like a videotape, and audiences are like machines. They decipher the movement and the space inside the line, from the first stroke of the first character to the last stroke of the last character. ”

The reconceptualization of calligraphy constitutes an indispensable aspect of Fung Ming Chip’s calligraphic practice. The talk “Calligraphy Lab Report” introduces ideas critical to the artist’s work, including tradition, line, space, time, conceptual framework, and painting. By elaborating on these ideas, Fung shares insights into his theoretical approach and working procedures. This talk was held in conjunction with Fung Ming Chip’s solo exhibition The Null Set at Fu Qiumeng Fine Art.

In this lecture, Fung Ming Chip classified his calligraphic works into six categories:

1. Traditional Calligraphy

2. Line: refers to scripts that shift the tempo and structure of writing and that deviate from established standards people use to judge lines and visual effects. Examples include music script and loose script.

3. Space: The handling of the brush is critical to traditional calligraphy. When looking at a calligraphic piece, viewers visualize how the brush moves in space, regardless of the kind of paper the artist uses. In this case, whether the lines are close or faraway, whether the space is shallow or deep, and whether the work is written on paper, wood, or a wall hardly matter. They are merely the material support. The second category “space” refers to works that transform and integrate these material supports into the calligraphic space. Examples include transparent script and Radical Script, Landscape.

“Line”

“Space”

4. Time: refers to the order in which ink and brush leave traces on paper. These scripts underline the passing of time and process. Examples include time script and reverse time script.

5. Concept: Refers to artworks with conceptual framings. Examples include black on black script, border script, and sequence mounting script.

6.Painting-Calligraphy: refers to works that combine painting and calligraphy. Examples include Sand Script, Airplane and Form Sand Script, Transparent Script.

“Time”

“Painting-Calligraphy”

“线条就像影像,而观众是读取影像的机器。从看第一个字的第一笔到最后一个字的最后一笔,观众可以通过线条读到其背后的运动和空间。”

有关书法的理念是冯明秋书法创作中的重要部分。在讲座《书法实验报告》中,冯明秋将介绍与自己创作紧密相关的理念,包括传统、线条、空间、时间、概念、绘画等。通过这个讲座,冯明秋将让听者进一步了解他书法实践的理论框架和具体工作程序。这个讲座是冯明秋在秋萌画廊的个展《空集》的展览活动的一部分。

在这个讲座中,冯明秋将他的书法作品分为六类:

1.传统书法

2.线条:把传统书写中对线条好坏 、美丑的标准归零,改变节奏、笔划结构等,例如:音乐字,散字等。

3.空间: 传统书法建立在行笔上。欣赏时观众在脑中还原书写当下毛笔在三度空间运动的过程,写在哪里都不影响观众欣赏线条内部的运动空间,这情况下线条之外是没有远近、深度等空间的。无论纸上,木上,墙上,都是线条得以显现的载体而已。第2类“空间”是指把载体转变成空间的作品,例如:透字,风景部首字。

4.时间:指透过水墨和笔划着纸的先后顺序,强调时间与过程,例如:顺时字,反时字。

5.概念:指属于概念性的作品,例如:黑上黑字,旁字,连裱等。

6.与画结合:指字与画结合的作品,例如:飞机沙字,透字定型沙字。

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